‘The Curious Works of Roger Doyle’ (2018)

Posted in Music with tags , on November 15, 2018 by Fanning Sessions

curious works roger doyle

We recently had the pleasure of attending a screening of Brian Lally‘s documentary about the life and work of composer Roger Doyle. The film was preceeded by a 10 minute performance by Roger accompanying himself on film performing ‘Wassane’ in Beijing in 2012. The documentary was followed by host Don O’Mahony‘s Q&A with Roger and Brian. ‘The Curious Works of Roger Doyle’ takes the viewer through Roger’s career from his studies to the formation of the band Operating Theatre and his soundtrack work on Bob Quinn’s ‘Budawanny‘ and Cathal Black’s ‘Pigs‘ and features interviews with among others, both directors.  The doc also features a number of items from the RTE Archives including excerpts from a Bob Quinn TV documentary looking at a day in the life of Roger Doyle. One impressive segment was a performance of ‘Coat-Hanger Kisses‘ featuring a virtuoso answering machine message from Jonathan Philman-Bowman. The documentary shows Roger posting off CDs from his extensive back catalogue which we note includes a number of original copies of an Operating Theatre single on Mother Records. On a related note, Roger was a recent guest on John Kelly’s ‘Mystery Train‘ where Roger spoke to John and chose the music.


The Dry Season (1990 Demos)

Posted in Music with tags on November 7, 2018 by Fanning Sessions

dry season

Yesterday’s annual tweet in the direction of RTE Archives pleading for an updated list of sessions and dates threw up a few responses (although not the desired holy grail). The Dry Season recorded a session for Dave Fanning in March 1990. Whilst we did not initially find their session we did manage to uncover a couple of demos Dave played on his show. From Dublin, The Dry Season were Paul Gaffney (guitar, vocals), Paul Harper (bass), Gavan Duffy (drums, vocals) and  John Cantillon (hammond organ, guitar).


Through Your Eyes


The World Inside Your Mind

Crumb (2005 Interview & Session)

Posted in Music on November 6, 2018 by Fanning Sessions


Crumb were Derrick Dalton (guitars, vocals), Eamonn Davis (bass) and Dez Foley (drums, vocals). Fiachra McCarthy later replaced Eamonn on bass. In February 2005 shortly before the release of their debut album Crumb were guests of Jimmy Murphy on his Dublin South FM show ‘Local Beats’. They were interviewed and played a number of tracks. Thanks to Dez for digging out this recording.

Follow Me Home

For The Leaving Of


This Certain Kind

Posted in Music with tags , on October 30, 2018 by Fanning Sessions

this certain kind

On Sunday morning last Dave Fanning spoke to Anthony Cully of This Certain Kind. 20 years after the band broke up and thanks to some demos posted on YouTube the band are now set to feature on the latest compilation release by German label Firestation Records ‘The Sound Of Leamington Spa Volume 9‘. The CD & vinyl versions features the track ‘Unfortunate’ whilst a second tune ‘Make Your Heart Bleed’ appears as a bonus hidden track on the double vinyl version. There is talk of a full album release on Firestation Records so stay tuned.

This Certain Kind were formed in Tallaght in 1987 by Anthony Cully (vocals) and Lee Gartland (bass). Anthony and Lee were soon joined by Mark Comerford (guitar), John Lowery (guitar), Alan Kiloran (keyboards) and Keith Gantley (drums). In March 1988 the band recorded their first demo ‘Inspire’ in Christ Church Studios, with Mark Sherlock now on bass duties. By 1991 Anthony and Mark were joined by Des Connaughton (guitar) and John Short (drums).

The Kathleens (1996 Demo)

Posted in demo, Music with tags , on October 14, 2018 by Fanning Sessions

From Galway, The Kathleens were Raymond Butler (vocals and rhythm guitar), Fergal McDonogh (lead guitars and backing vocals), Barry Wallace (bass) and Derek Naughton (drums). These tracks turned up on an intriguing cassette from the Pat O’Mahony collection. The first two tracks on the tape were from a very different act musically called Ill Dependents. Following some inquiries, Stevie G tipped us off that the link was producer Pat Neary. Both these bands recorded Fanning sessions but we believe the tape contains demos.

Hugh Tynan for cluas.com chose the unreleased debut album by The Kathleens as one of his top 5 Irish albums of all time:

Still spoken of in hushed tones in their hometown of Galway, The Kathleens were probably the greatest lost Irish band ever. With regular demos on Dave Fanning’s definitive radio show and a track record of blistering gigs, the band recorded a flawless studio masterpiece in All The Other Plans, its track-list cherry-picked from an enviable catalogue of gems dating back years. To make comparisons would be to trivialise, but it’s safe to say that the band came from the perfectionist school of ambitious pop songwriting, comfortable in the company of Costello, the Go-Betweens or the Pixies, but as purely focused and creatively accomplished as The Beatles. Anyone who ever heard My Weakness raise the roof in Monroe’s Tavern is still mourning the fact that The Kathleens broke up before their genius could be fully unveiled in this album. Life is unfair.


Artwork for the unreleased debut album by Kellie Strøm.

We got in touch with Raymond and exchanged a few emails one of which included the following band history written in 2007 which he kindly gave us permission to share.

The Kathleens formed in late 1989, under the name of, wait for it, Harvey Foot and the Privilege. That was mine. We played one gig, our first, under that name in a festival organised by Niall Rivers. We very swiftly became The Walkers (for about one Bish disco gig, I think) and then settled on The Kathleens. The line up was Fergal McDonogh on lead guitar and backing vocals, Eoin O’Donnell on bass, Derek Naughton on drums, and myself on vocals and rhythm-ish guitar. (The name came from the sleeve of Tom Waits’ album, Frank’s Wild Years. It was the way his wife, Kathleen Brennan’s name looked in the particular font that appealed to me)

We recorded our first demo with Pat Neary at West One in late 90 and submitted it to the Rock Show, where it was played a couple of times, to our immense delight. There followed some rag week gigs, and a Monroe’s residency at some point, all of which we enjoyed. This pattern – a demo, a smattering of gigs, writing songs, practising – continued up until about until 94, I think, when Eoin left the band. As you can probably already see, we were fairly directionless, and hardly ‘driven’ by any widely accepted definition of the word, so his departure was enough to finish us, more or less. We did poke around for another bass player for a while, but nothing came of it and we eventually called it a day. I have no memory at all of exactly when or where, so we can assume it was undramatic. (For the record, Eoin had always said he wasn’t in for the long haul, so you’d think we’d have somehow prepared for this eventuality. As if!)

To quote the Simpsons, “then, for a long time, nothing happened”

Not to me, anyway, so somewhere in early 95, I think, when Fergal McDonogh told us he had a bass player for us, we had a practise or two with Barry Wallace, and immediately reformed. For most of that year, this new lineup performed mainly in Roisin Dubh, recorded a demo maybe, had a now-hilarious argument about potential royalties, and split up. (Nary a song was widely known, never mind sold, at this stage). Even more hilariously, two days later the word came through that Pat Neary, he of West One, had formed a label and wanted to sign us. We immediately reformed.

We continued to gig sporadically, and began to record our album sometime in Spring 96. Somewhere along the way, in what was perhaps the peak of our fame, Pat managed to get us a Rock Show session, which entailed a grand day out to Donnybrook, enjoyed by all. The album was more or less done by the end of the summer, I think, by which time relations in the band had, sadly, deteriorated considerably. For most of the existence of the second lineup, Fergal, Derek and Barry had also been in an increasingly in-demand (and excellent) ska covers band, Full Trousers. By the end of summer 96, I felt that this was impeding the The Kathleens’ chances of even minor success, and decided I had no choice but to leave.

I should emphasise at this point how major a figure Pat Neary was. He was always incredibly supportive of us, and of me as a songwriter, and I sincerely doubt I’d have carried on as long without his relentless, largely thankless championing. I imagine you’ll come across many such tributes if you’re talking to Galway bands from around then.

There is no Kathleens material out there, I’m afraid. While the album was pretty much completed, there were obvious difficulties for the label in putting it out posthumously, and I didn’t have the gumption to find another band fast enough (see Eoin leaving, above) even if that had been an acceptable solution all around. So it’s on a shelf somewhere, which could very well be for the best.

Barry, Derek and Fergal continued on in Full Trousers for quite a while after that, I think, and in various other bands, with all of them pretty much making a living from playing. Pat Neary didn’t give up on me, and about two years later presided over the Waking Dream EP, supplying me with musicians and a demon engineer/producer by the name of Paul Brennan. This, too, remains unreleased, and the only DJ that played it on the radio died in a car crash days after airing it. Ill-fated it may have been, but it’s by far and away the best thing I’ve ever been involved in recording, mostly due to extremely attentive performances of the musicians involved, and the tireless, unpaid work of Paul Brennan, who whipped some good vocals out of me.

A couple of years later, I moved to London, took up playing again under the name of John Dog (I like dogs) and still do an open mic every now and then.

I’m sure there’s all kinds of inaccuracies and misremembering going on in the above, but there it is.”

Every Boy And Girl

Life Of The Party

An Open Letter

Mexican Pets (1995 Session)

Posted in Music with tags on October 11, 2018 by Fanning Sessions

Mexican Pets
In an alternate universe yours truly would have a monthly show on RTÉ 2XM dedicated to digging through the Fanning sessions lost in their archives. Realistically that is the only conceivable way that any of the obscure delights which therein languish will ever see the light of day. The sessions that do occasionally appear are those by acts that went on to major success such as The Cranberries who have included their 2fm sessions on the 25th anniversary reissue of ‘Everybody Else Is Doing It, So Why Can’t We? ’. The odd track does appear, hand picked for a niche release on a boutique label, possibly thanks to efforts of this very website. The sessions of many, many other bands however remain overlooked.

Today’s track was rescued from said vaults by recent IMRO Hall of Fame inductee Ian Wilson for the Dan Hegarty show on March 17th 2013.

Mexican Pets were Pat Clafferty (guitar, vocals), Derrick Dalton / John Duff (bass guitar), Fionan O Leary (drums) and Jill Hahn / Brian Gough (guitar, vocals, organ).

Photo via Scout Releases. The other tracks recorded for the session were ‘Mackerel Sky High’ – with an extended middle, a cover of ‘Embarrassment’ and ‘Secret Saviour’. If you have the remaining session tracks we would love to hear from you.

Mexican Pets – Where’s My Pony (1995)

Woodstar (2002 Session)

Posted in Music with tags on October 8, 2018 by Fanning Sessions

In 2002 2fm sessions were spread across 2 shows; Dave Fanning and Jay Ahern. This is the first track played on Jay’s show and unfortunately the tape ran out mid song 90 minutes into the show. The session was recorded on November 4th 2002 and broadcast on Sunday December 1st. Woodstar were from Limerick and featured Fin Chambers (vocals), Al Sheahan (piano & keyboards), Kieran Calvert (guitar), Ronan Considine (bass) and Doug Murray (drums). The second track played by Jay was ‘Can’t Let Go Of Anything’. Thanks to irishmusicdb for the photo.

Sorry Skin (2002)